Rather, he was raised wealthy, and can come across as stuck up. Daniel is not an inherently arrogant person. Based on this portrayal, it is easy to see why Ti Moune would fall for him – and feel so hurt when he rejects her. You practically want to ascend the stage to comfort her during rough moments.Īs Daniel, Jemarcus Riggins imbues the young man with a playful and charming demeanor. Namely, the performer makes the emotional pain that Ti Moune experiences particularly vivid. In addition, Wallace turns in an impressively sensitive performance. Also, Wallace imbues Ti Moune with such hope, optimism and determination that the character of Annie comes to mind. When it comes to portraying these characters, this cast shines.Īs Ti Moune, Brinie Wallace’s sunny enthusiasm and radiant smile make the young peasant woman an instantly likable character. Meanwhile, Lenora Nikitin’s detailed, colorful costumes help to differentiate and define the characters. Also, the lighting helps focus the performers. Among other things, they reinforce the piece’s non-realism, as does frequent stage fog. Lighting designer George Jackson’s work features an array of colors. And fortunately, this production does not suffer from sound problems. Fitzwater, who also designed the sound, has created realistic sound effects. In addition, he makes good use of scenic designer Cliff Price’s multi-level, expansive, detailed set. Also, Fitzwater creates striking stage pictures. Under Patrick Fitzwater’s inspired and sensitive direction, the show’s emotional moments are truly touching. The performers also gracefully execute choreographer Jerel Brown’s spirited dances. A live, vibrant orchestra accompanies the performers without drowning them out. Slow Burn’s talent-filled cast features actors who are triple threats with strong, pleasant, and expressive voices. In addition to penning the lyrics, Ahrens also wrote the show’s compelling book. In addition, the music, along with Ahrens simple, heartfelt lyrics, deepen the characters’ emotions. However, the former’s musical numbers, some energetic, some slower and softer, enhance the moods of scenes. Once On This Island’s songs are not nearly as memorable as those in Ragtime. They are the same team behind such musicals as Ragtime and Seussical. The musical’s creators make up the the multi award-winning, versatile team of Lynn Ahrens (book and lyrics) and Stephen Flaherty. The musical, which ends bittersweetly but not predictably, leaves us with the hopeful message that the power of love is stronger than the fear of death. Once On This Island garnered eight Tony nominations for its original Broadway run in 1990, including for “Best Musical.” This 90-minute, one-act show is a focused, uplifting, and compelling tale of one person making a difference through her determination and capacity to love. But will Ti Moune’s radiant personality and affection be enough to make Daniel love her back? She goes on to rescue and nurse back to health Daniel, a wealthy young man from the other part of the island. The Gods who preside over the island spare her life from a storm, and two caring, protective people adopt Ti Moune. She is one of musical theater’s more likable characters, right up there with Little Orphan Annie. However, a young peasant woman named Ti Moune proves to be a uniter.
Specifically, the wealthy, descendants of rich French planters, live on one part of the island. There is division on the Caribbean island on which this musical takes place. The musical’s basis is the novel My Love, My Love, by Rosa Guy. Once On This Island, a calypso-flavored re-telling of The Little Mermaid, is a celebration of the power of positivity, storytelling, and hope. 20 in Broward Center for the Performing Arts’ Amaturo Theater. Slow Burn Theatre Company’s stirring production of the rousing, Caribbean-flavored folktale of a musical, Once On This Island, is simply stellar.įrom dynamic, in-sync dancing to believable, charming performances and eye-popping costumes, this production amounts to an all-around winning effort.
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